Which Languages That Colors Speaking in Fashion Textiles/Clothes
Textile Science and Fashion Technology
Aesthetics a focusing on colour words by themselves seems to reach no satisfactory answers in fashion textiles/clothes, the focus will now be put on compound colour words; compound aesthetics colour words present a quite interesting set of properties that may help to better understand the former. Compound colour nouns are formed by a simple aesthetics colour noun and a modifier an adjective or a noun. Like simple aesthetics colour nouns, they are typically masculine nouns. The questions that were initially put can now be replied in fashion textiles/clothes. The observation of the grammatical behavior of simple and compound aesthetics colour words supports the hypothesis that colour nouns and aesthetics colour adjectives are different lexical items, and also that adjectives are obtained by conversion of colour nouns. The hypothesis holds that we view the world filtered through the aesthetics symbolic categories of our native language in fashion textiles/clothes. Over the years, consensus has oscillated between embrace and dismissal of this hypothesis. With regard to our issue, are the metaphorical meaning and the emotional value of aesthetics colour word in a given language completely dependent on culture, context, and language? Or is there a convergent tendency among languages possibly grounded in embodiment and inter subjectivity, aesthetics colour in associating metaphorical meanings and values to colour words?
Aesthetics a focusing on colour words by themselves seems to reach no satisfactory answers in fashion textiles/clothes, the focus will now be put on compound colour words; compound aesthetics colour words present a quite interesting set of properties that may help to better understand the former. Compound colour nouns are formed by a simple aesthetics colour noun and a modifier an adjective or a noun. Like simple aesthetics colour nouns, they are typically masculine nouns. The questions that were initially put can now be replied in fashion textiles/clothes. The observation of the grammatical behavior of simple and compound aesthetics colour words supports the hypothesis that colour nouns and aesthetics colour adjectives are different lexical items, and also that adjectives are obtained by conversion of colour nouns. The hypothesis holds that we view the world filtered through the aesthetics symbolic categories of our native language in fashion textiles/clothes. Over the years, consensus has oscillated between embrace and dismissal of this hypothesis. With regard to our issue, are the metaphorical meaning and the emotional value of aesthetics colour word in a given language completely dependent on culture, context, and language? Or is there a convergent tendency among languages possibly grounded in embodiment and inter subjectivity, aesthetics colour in associating metaphorical meanings and values to colour words?
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